E.M. Forster published his first novel, Where Angels Fear to Tread, in 1905, which was quickly followed in 1907 by The Longest Journey and then in 1908 by A Room with a View. Forster’s major breakthrough came in 1910 with the book Howard’s End. Forster was associated with the Bloomsbury Group, a collective of intellectuals and peers, including Virginia Woolf, Benjamin Britten, Roger Fry, and John Maynard Keynes. The 1924 publication of A Passage to India firmly cemented Forster in the literary firmament as one of the most important writers of the twentieth century. It was the last novel Forster ever completed.Forster then turned his attention to teaching and criticism; his Clark Lectures, delivered at Cambridge in 1927, were gathered into a much-admired collection of essays on writing published as Aspects of the Novel. In 1946, Forster accepted a fellowship at Cambridge where he remained until his death in 1970.Forster’s other writings include The Hill of Devi, an account of his experience as secretary in the Indian state of Dewas Senior; Pharos and Pharillon, a group of essays about Alexandria originally published by Leonard and Virginia Woolf; Maurice, a novel on homosexual love; and The Life to Come, a collection of short stories.
E. M. Forster’s 1924 masterpiece, A Passage to India, is a novel that tackles the thorny notions of preconceptions and misconceptions through characters’ desire to overcome the barrier that divides East and West in colonial India. Here we see the limits of liberal tolerance, good intentions, and good will as we try to sort through the common problems that exist between two very different cultures. But Forster’s India is a country where the English and Indians stare at each other across a cultural divide and a history of imbalanced power relations, mutual suspicion, and ill will. A fresh reader must wonder whether connection is possible at all.
A Passage to India begins simply enough: with people genuinely desiring to connect and to overcome the stereotypes and biases that have divided the two cultures. Mrs. Moore accompanies her future daughter-in-law, Adela Quested, to India where both are to meet Mrs. Moore’s son Ronny, the City Magistrate. From the outset, Adela makes it clear that she wishes to see the "real India" and Mrs. Moore soon befriends and Indian doctor named Aziz. Cyril Fielding, an Englishman and the principal of a local government college, soon becomes acquainted with everyone and it is his tenuous friendship with the Indian Dr. Aziz that really constitutes the backbone of this novel.
While it is true that the primary characters take great pains to accept and embrace difference, their misunderstanding, fear and ignorance made that connection far more difficult than they expected. Getting to know the "real" India proves to be a daunting and challenging task. The bulk of this perhaps falls to Dr. Aziz, who soon learns that the indignities of life under British rule and the insults--unintentional and intentional--of his English acquaintances make him suspect that although genuine friendship may be desired, the two cultures are not yet ready.
"A century after its publication, it seems as relevant as ever." –The GuardianMaurice is heartbroken over unrequited love, which opened his heart and mind to his own sexual identity. In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.
Featuring fourteen short stories, most previously unpublished, The Life to Come spans six decades of E.M. Forster’s writing, from approximately 1903 to 1958, and shows Forster at every phase of his writing career.Forster, feeling his career would suffer, never sought publication for most of the stories, hiding these away along with Maurice, his novel of homosexual love.With stories that are lively and amusing ("What Does It Matter"; "The Obelisk"), as well as more somber and deft portrayals of love, truth, and society ("Dr Woolacott"; "Arthur Snatchfold"), The Life to Come sheds a light on Forster’s powerful but suppressed explorations beyond the strictures of conventional society.
