Robertson Davies (1913–1995) was born and raised in Ontario, and was educated at a variety of schools, including Upper Canada College, Queen’s University, and Balliol College, Oxford. He had three successive careers: as an actor with the Old Vic Company in England; as publisher of the Peterborough Examiner; and as university professor and first Master of Massey College at the University of Toronto, from which he retired in 1981 with the title of Master Emeritus.He was one of Canada’s most distinguished men of letters, with several volumes of plays and collections of essays, speeches, and belles lettres to his credit. As a novelist, he gained worldwide fame for his three trilogies: The Salterton Trilogy, The Deptford Trilogy, and The Cornish Trilogy, and for later novels Murther and Walking Spirits and The Cunning Man.His career was marked by many honors: He was the first Canadian to be made an Honorary Member of the American Academy of Arts and Letters, he was a Companion of the Order of Canada, and he received honorary degrees from twenty-six American, Canadian, and British universities.
Connor Gilmartin’s inauspicious, but much beloved, mortal life comes to an untimely end when he discovers his wife in bed with one of his more ludicrous associates, Randall Allard Going. Death becomes a bit complicated when Gilmartin’s out-of-body experience stays an out-of-body experience. Enraged at being so unceremoniously cut down, he avenges himself against his now panic-stricken murderer. Murdered by his wife’s lover, Gil must spend his afterlife seated next to his murderer at a film festival, where he views the exploits of his ancestors from the Revolutionary era to his parents’ time.
As editor and later publisher of the Peterborough Examiner, Robertson Davies published witty, curmudgeonly, mischievous, and fiercely individualistic columns under the name of his alter ego, Samuel Marchbanks. In 1985, Davies edited and selected from his alter ego’s observations to bring together previous titles in the Marchbanks bibliography: The Diary (1947), The Table Talk (1949), and Samuel Marchbanks’ Almanack (1967).Marchbank opines on politics, on his furnace, on theatre, on the taxman, on trains, on Christmas, on book-banners, on manners, indeed on everything under the sun. Not only this, but Davies’s copious and quite delectable Notes are "calculated to remove all Difficulties caused by the passage of Time and to offer the Wisdom, not to speak of Whimsicality, of this astonishing man to the Modern Public, in the most convenient form."
Robertson Davies first hit upon the notion of writing ghost stories when he joined the University of Toronto’s as the first Master of Massey College. Wishing to provide entertainment at the College’s Gaudy Night, the annual Christmas party, Professor Davies created a "spooky story," which he read aloud to the gathering. That story, "Revelation from a Smoky Fire," is the first in this wonderful, haunting collection. A tradition quickly became established and, for eighteen years, Davies delighted and amused the Gaudy Night guests with his tales of the supernatural. Here, gathered together in one volume, are those eighteen stories, just as Davies first read them.
